Mamayev Kurgan () is a dominant height overlooking the city of Volgograd (formerly Stalingrad) in Southern Russia. The name in Russian means "tumulus of Mamai".Mamai commanded the Tatars Golden Horde in the 1370s — no historical evidence exists of his burial on the site. The formation is dominated by a memorial complex commemorating the Battle of Stalingrad (July 1942 to February 1943). The battle, a hard-fought Soviet Union victory over Axis Powers forces on the Eastern Front of World War II, turned into one of the bloodiest battles in human history. At the time of its installation in 1967 the statue, named The Motherland Calls, formed the largest free-standing sculpture in the world. Antill, Peter (2007) Stalingrad 1942, Osprey Publishing. .
On the same day, the Soviet 13th Guards Rifle Division commanded by Alexander Rodimtsev arrived in the city from the east side of the river Volga River under heavy German artillery fire. The division's 10,000 men immediately rushed into the battle. On 16 September they recaptured Mamayev Kurgan and kept fighting for the railway station, taking heavy losses. By the following day, almost all of them had died. The Soviets kept reinforcing their units in the city as fast as they could. The Germans assaulted up to twelve times a day, and the Soviets would respond with fierce counter-attacks.
The hill changed hands several times. By September 27, the Germans again captured half of Mamayev Kurgan.
When the battle ended, the soil on the hill had been so thoroughly churned by shellfire and mixed with metal fragments that it contained between 500 and 1,250 splinters of metal per square meter. The earth on the hill had remained black in the winter, as the snow kept melting in the many fires and explosions. In the following spring the hill would still remain black, as no grass grew on its scorched soil. The hill's formerly steep slopes had become flattened in months of intense shelling and bombardment. Even today, it is possible to find fragments of bone and metal still buried deep throughout the hill.
Atop the steps, past the walls, is the Square of Heroes; this is dominated by another large pool of water. On one side of the pool is a wall bearing this inscription: With an iron wind blowing straight into their faces, they were still marching forward; and fear seized the enemy. Were these people who were attacking? Were they even mortal at all? On the other side of the pool are six sculptures, the first of which bears the inscription: "We've stood out and defeated death." The second and third sculptures commemorate military nurses and, respectively, sea soldiers. The fourth sculpture is dedicated to the officers who led the battle to protect Stalingrad. The fifth sculpture tells the story of "Saving the Banner". The sixth sculpture commemorates the eventual triumph of the Russian army over the Germans.
An indoor flight of stairs leads to the Hall's circular main chamber; at the chamber's center is the Eternal Flame, a large sculpture of a hand holding a torch. The Eternal Flame is constantly under armed guard, which is changed every hour. The main chamber is considered sacred ground, with mournful music being played on a loop; out of respect, visitors are strongly discouraged from speaking aloud. The chamber's walls are covered in glass-foil mosaics; these bear the names of 7,200 Russian soldiers who died in the battle for Stalingrad. Around the ceiling of the chamber is the following inscription: "...Yes, we were mere mortals, and few of us survived (the German siege). But we all fulfilled our patriotic duty to our sacred Motherland."
The hill itself is an unmarked grave for over 34,500 Russian troops killed at Stalingrad; even this is a tiny percentage of the overall Soviet casualties from the battle. The grass on the hill is considered sacred, and visitors are forbidden to step on it. The top of the hill gives a panoramic view of the city of Volgograd.
Mamayev Kurgan is open to the public 24 hours a day, and there is no charge for admission.
The construction uses concrete, except for the stainless-steel blade of the sword, and is held on its plinth solely by its own weight. The statue is evocative of classical Greek representations of Nike, in particular the flowing drapery, similar to that of the Nike of Samothrace.
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